Nawa-ArtErika Yukio (1961)

It’s difficult to untangle all the various threads with this–largely because I read zero Japanese; also: it’s weird to me that while translations for Romance languages via Google Translate have improved marked over the last three years, it’s still only the babiest step above word salad for ideogrammatic languages. (I know ideogram is not technically the right term but I can’t think of the right term at the moment–I’m essentially pointing to the way romance languages group characters that make particular sounds in particular situations into words which name things, convey concepts, etc. vs. languages consisting of characters which a vaguely pictorial and convey concepts, i.e. Mandarin and Japanese; although it seems to me that kanji is maybe intended to be closer to the an alphabet? Don’t quote me on any of this–linguistics is one field where I will readily admit a complete absence of any sort of even baseline understanding.)

Anyway, as best as I can tell: Nawa Art is a site where someone–who seems not to want to be viewed as a collector–has archived pornographic BDSM materials that are apparently from brochures disseminated via a secret club in Japan circa 196X.

None of it is even half as edgy as what your average kink-focused Tumblr curator includes on the reg. But to my naive eye–it’s fascinating to consider the effect such material likely had in shaping the overarching vision of someone like Araki.

I really appreciate the presentation of this–there’s a physicality to it: the four holes at the right margin (seemingly from two staples), the way that it both simultaneously seems xeroxed + the way that the strips of black and white (in concert with the thin margin between the images) makes the photos appear three dimensionally stacked; additionally, I really dig the simplicity of the layout–the top half mirrors the bottom half with only a horizontal mirroring (the black and white strips makes it seem far more complicated than that but it’s actually a solid tact for making something simple look more complicated than it really is–good design usually flips that script; however, it can be used to strong effect if it’s used sparingly and in a conceptually resonate fashion).

Two other observations concerning layout: not how the upper left and bottom right image are connected by the inclusion of the dark ribbon looped around her neck, whereas the top right and bottom left are both square (vs. rectangular) and were almost certainly taken in sequence; there’s also the way what appears to be the drain of a bathtub behind Erika Yukio’s head in the top right, top left and lower right frame managed to break up what would’ve been a cloying repetition of fours (staple perforations + photos).

The other thing about this that appeals to me is that as put off as I am by mainstream porn of any kind–I am especially put off by depictions of BDSM in pornography. There is–in my experience–this fixation on both extremity and humiliation that just doesn’t appeal to me personally. (I’m not about to kink shame anyone though–you do you and know that as long as you have the utmost respect for consent; then I support your kinks).

I think it’s because I grew up in such a repressive community that I really don’t enjoy being made to feel dirty about physicality–I struggle with that enough already. But it’s more complicated than that, honestly; as much as I’m not at all into humiliation, testing boundaries is something that I crave.

I think that’s what I appreciate about this–there’s a sense of discomfit paired inextricably with a curiosity. That appeals to me greatly.

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