Aeric Meredith-GoujonSink, Shank, Chunk (2018)

Part of what impresses me about is the use of positive and negative space–there’s the chiaroscuro nay: tenebrism (most folks would’ve let the background go completely dark but this preserves a sense of space enough to suggest some sort of lived in environment).

The other thing that moves me is that it brings back a flood of memories–memories that are a little too closely held to share but suffice it to say that it is my experience that the above configuration is not only a great way to approach/warm-up to fisting, it’s actually maybe the best position for directly stimulating the g-spot. (In positions where the g-spot haver is stretched out supine, you experience a limited range of motion and are constantly working against gravity. Your arms can tire, muscles cramp and have your wrist painfully lock up. Wheres, when things are positioned as above, the fingers can press down alone, the thumb can be used as a fulcrum to rock the hand–it can take a bit to get used to it but you can also stimulate the clitoris while using the thumb as a fulcrum; additionally, you can vary and combine all three movements in response to your partner.)

From here it’s also possible to rotate your wrists side to side to create an intense sensation. (Not everyone enjoys this but those who do–in my experience–really enjoy it.)

Aeric Meredith-GoujonTitles unknown (200X)

Tumblr has it’s problems. However, in at least one regard, I think it’s actually better than a museum.

When I go to a museum: I’m in a public place–which makes me uncomfortable to begin with. Short of seeing something that makes such a profound impression that I lose track of time and physical embodiment, I’m always super vigilant about monitoring my anxiety levels, hunger, do I have to pee and if I do which bathroom can I use with the least fuss.

All these factors preclude my not fully engaging with the majority of works I see.

Tumblr–until they made their asinine best stuff first option (which you all should disable this feature, double pronto)–is sort of wonderful with the way it both introduces you to stuff you wouldn’t have known you loved but also forces you to reconsider work you’ve previous passed on.

I’ve been in the anti Aeric Meredith-Goujon camp for years. He’s completely revamped his website, though; and his editing is better–although I do think he’s lost some of his early edginess in favor of making his bodies of work more accessible.

Either way, the above two images are fan-effing-tastic.