Natalia Nobile – [↑] Untitled (2017); [↖] Untitled (2017); [↗] Untitled (2018); [↗] Untitled (2016); [+] Untitled (2017); [→] Untitled (2017); [↙] Untitled (2017); [↘] Untitled (2016); [↓] Untitled (2017)

I don’t necessarily like all Nobile’s work. I’ve been wanting to share some of her work for a while, I just haven’t had the time to really sift through her work until this afternoon.

I sat off drafting this post with the notion of talking about parallels between her work and other similar image makers. However, I realized at a certain point that at face value her images are compelling because of their immediacy.

What we are being shown is clear enough–it’s the why we are being shown it that remains ambiguous. But why we’re being shown what we’re seeing is less of a preoccupation than questions like are those Frida Kahlo panties? Cyrano or Elephant? Is the woman straddling the bedpost posing; additionally, is this pose supposed to suggest something vaguely masturbatory? Are those cannabis plants?

In the picture of the woman in the pink body suit on the bicycle looking back over her shoulder while feigning the fastening of her helmet struck me as having exquisite color rendition. Same with the are those pot plants one.

But organizing them together in this way showed the extent to which Nobile is using color with subtlety and style. It also shows that although you don’t necessarily realize it that color not only ties her images together within themselves, it actually ties her work together just as well as a signature.