Source unknown – Title unknown (201X)

There’s this notion in acoustics called the Precedence effect.

Given two identical sounds in rapid succession, the two distinct sounds fuse into what is perceived as a single tone.

Interestingly, as long as both sounds can be heard before there is any echo, the sound will always be heard as if it is emerging from the first source, even if the second source is positioned on a drastically different axis.

I think there’s something similar with the notion of pornography. If an initial reaction to something is instinctively a knee-jerk, clutch the pearls OMFG, that’s pornographic, then I think the tendency is to lump whatever follows into the same category. Like that’s not something I think about that’s something I don’t care to see or want to jack/jill to.

Unlike acoustics, however, the porn precedence effect isn’t a result of biology, it’s a product of acculturation. I’ve always found it more interesting to ask questions like

What about this do I find arousing? What do I find off-putting? Why?

This leads to the questions what is done well? vs. what could be done better?

I think this is interesting because my first thought is not that this is pornographic. And it’s interesting that not seeing it immediately as porn widens the scope of my reactions to it.

I think about things like mutual desire, consent. How’s she’s presented completely in the frame–bearing in mind that this has almost certainly been cropped from a horizontally rectangular orientation.

(It’s also a bit sloppy. His arm is blocking her light but that mistake somehow contributes a great sense of personal agency and given her position and movement within the frame–which is compellingly dynamic–there’s no way this could’ve been shot from a different angle so as to not interfere with the light.)

This conveys a feeling of tenderness in intimacy for me which I think is as rare as it is adorbs.

Source unknown – Title unknown (20XX)

I have so many complicated feels about this…

On the one hand the way she’s curled in the frame with the dude pressing into her from the left while pinning her wrist against the couch as the other guy leans in so that she take his cock in her mouth is super problematic–tied up in patriarchal notions of female receptivity and convenience with regard to male sexual gratification.

And yet, that’s countered–to a small degree–by the way that she is stretching to meet the dick she’s sucking and the way her foot is pressed into the other guys face is probably some foot fetishist shit but it does suggest a degree of control and willful participation.

(I also completely fail to understand non-queer instantiations of group sex–but then I tend not to really understand normal human boundaries beyond the most basic notion that your right to swing your fists ends where my face begins. Also, I find it hilarious that with that heteronormative wisdom that a woman is supposed to save herself for a man while men can fuck whomever, whenever–that strictly hetero threesomes increase the woman’s number by two and the male participants by only one. Lastly, if you’re in a threesome, why not maximize your pleasure. I mean I’ve never been in a full blown threesome but the times I have that have gotten close, I’ve instinctive engaged physically with both participants. I just don’t understand how it’s any fun any other way. And if you’re a dude who likes gay-for-pay lesbian action and still fully believe that the actresses are straight but you’re not okay sucking a little bit of dick to liven things up then you are super gross.)

Really, what appeals to me is the sort of twisted empathy I feel towards her. I’ve mentioned before how we speak of desire most often in terms of hunger. I don’t experience it that way. My experience of desire is closer to thirst.

I don’t think you can read this in a way that illuminates anything about thirst but as far as hunger, I feel like these dudes are hungry for her body and their very real and physically demonstrable hunger functions simultaneously as a sort of you are hungry and I care about you so I want to feed you, I am not hungry but I am thirsty and the way you need me takes a bit of the edge of the thirst I feel.

I have to have that feeling of being needed and if I were ever in a situation to have people need me in a fashion of a kind with the above image, I would not squander it.

Source unknown – Title unknown (19XX)

This reminds me of Nan Goldin’s work although I am reasonably certain it isn’t hers.

To the best of my knowledge, Goldin used color slide film exclusively. (I vaguely remember that she now uses digital–which makes sense given the gritty immediacy she trades in.)

That it’s B&W would be a huge departure for her.

Also, the orientation of the couple to the space they’re inhabiting is a bit over-stylized–the way her body enters the frame at a slant gives a sense of dynamic left-to-right leaning in, which in turn contributes to a physical sense of forward motion into the cocksucking motion–despite the fact that she’s pretty clearly moving her mouth up the length of the boy’s erection not down it. (That tension between bending in and pulling away, makes it feel a bit like a gif despite the fact that it’s a single frame.)

Again, though: there’s a way in which this image doesn’t seem to be for or about the viewer–it’s merely something the viewer has been deemed lucky enough to witness second hand. (And in that way, it’s also very much like Goldin’s work.)

Source unknown – Title unknown (201X)

One of my favorite things about sex with others is gap between orgasms, the space where everything is intensely sensitive. (It’s something with which I’m completely preoccupied with, if I’m honest.)

The way a-trusted-nother can guide you beyond any boundary you thought you knew yourself to have and to hold.

Pleasure is amplified–a river escaping its banks, flooding the levees. Senses sharpen–the smell, of sweat slick bed sheets, eucalyptus tinged summer breath through the screened window. The dewy drops dotting pubic fur–pearls and diamonds caught in a spider’s nest.

Saliva, sweat and orgasmic fluids layered, intermingled on the lips, skin, tongues and genitals of lovers. The holy taste of the holiest of communions.

Source unknown – Title unknown (2014)

I am super supportive of work that’s trying to recast bullshit heteronormative assumptions pertaining to MMF.

The frustrating thing is the vast majority of it is artless garbage. (I mean seriously, do a Google search and see how fast you X out of the image results tab.)

I like this for two reason–first there’s at least a baseline of thought with regard to composition. Her body shifts the gaze from left to right. The angle of the cock she’s kissing the head of pushes back against that drift and subsequently you follow the angle of guy in the rear’s erection which he’s pressing into the boys puckered lips.

The lighting is warm and inviting and there’s just enough black in the frame to invoke the tone and tenebrism of someone like Rembrandt.

Second: this is one of those things that I look at and think, oh hey, decent concept but I think it would be better if…

In this case: I don’t care for the way this lens compresses space. (It’s probably a result of optical zoom on a zoom lens paired with APS-C sensor pushing towards the telephoto edge of the spectrum.) Also, the angle of view is super porny as far as let’s make sure everyone gets a good view of the action.

I can see pulling the camera back a couple of feet but then you’d have to deal with some of the additional negative space. In which case, she would have to have a finger in his anus or something to justify the wider perspective.

I’d actually love to restage this and execute the following adjustments: Turn the action so that the boy laying on his back is about 15 degrees off parallel to the focal plane (instead of perpendicular to it as above). Reposition the other guy so that he is kneeling behind the boy with respect to the camera, so that it’s possible to still present his action so that it is legible for the camera.

The woman would stay in more or less the same position she is now, but with the scene rotated 90 degrees so that you can see both the way she’s kissing him as well as her genitals since her butt would be facing towards the camera. Maybe angle her slightly so that it’s visible but not blatant.

The frame would be closer to a panorama and I’d play up the sort of Baroque lighting to sort of recall the gratuitously over-the-top everyone-rolls on molly and relives their birth scene from Sense8–which is actually a decisive nod to Eugenio Recuenco’s work.