Joan E. Biren AKA JEB – My Lover, My Feet (1978)
At first glance, this appears to be a symmetrical, center-weighted composition. However, as you look closer you begin to see that although the moulding is used as a frame within a frame device that there’s a larger margin between the right moulding and frame edge than there is on the left.
Additionally, the focal plane is closer to the wall on the left than it is on the right–indicated by the encroachment of the seam joining the wall to the ceiling that juts obliquely into the frame a third of the way from left to right. (This makes the mirror appears centered in the frame, even though it is not actually so if you take the time to measure it.)
But notice the positioning of the photographers feet as well as her lover’s body–not the angle of view puts the toes of her left foot closer to the body and the toes of her right foot (in addition to the angle of her instep being more open; also the body laying on the floor echoes that openness) conveys an awareness of the relationship between representation of space via reflection and 2D rendering.
It’s freaking ingenious. Every time I encounter a new photo JEB made I’m floored by how amazing her eye is.
Acetylene Eyes 