Mukhin continues to be a source of boundless inspiration.
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If it moves, Igor Mukhin likely shoots it; if it doesn’t, he’ll still take aim.
With nearly 5000 images—split between B&W film scans and Leica AG M9 captures, amassed over 6.5 years—perusing his photostream is like mainlining a hyper-distilled, chaotic mélange of interesting, occasionally ingenious work.
My head doesn’t wrap around such profligate excess easily—limitation is too central a feature in my own process. (Read: I am poor.) But I can let that slide. What I fail to fathom is how Mukhin’s haphazard, throw-it-at-the-wall-to-see-what-sticks curatorial approach works at all, let alone results in such jaw-dropping examples of all that photography should embody.
(To avoid unnecessary disappointment, skip his staid personal website.)