uttermusik – Submission to transqueersxxx (2012)

On Loving by Forugh Farrokhzad

Tonight from your eyes’ sky
stars rain on my poem,
my fingers spark, set ablaze
the muteness of these blank pages.

My fevered, raving poem shamed by its desires,
hurls itself once again into fire, the flames’ relentless craving.

Yes, so love begins,
and though the road’s end is out of sight, I do not think of the end.
It’s the loving that I love.

Why shun darkness?
The night abounds with diamond drops. Later, jasmine’s intoxicating scent lingers on the spent body of night.

Let me lose myself in you
till no one can find my trace. Let your dewy sigh’s fevered soul waft over the body of my songs.

Wrapped in sleep’s silk
let me grow wings of light,
fly through its open door
beyond the world’s fences and walls.

Do you know what I want of life?
That I can be with you, you, all of you, and if life repeated a thousand times, still you, you, and again, you.

Concealed in me is a sea: how could I hide it? How could I describe the typhoon inside?

I’m so filled with you
I want to run through meadows,
bash my head against mountain rocks, give myself to ocean waves.

I’m so filled with you
I want to crumble into myself like a speck of dust, to gently lay my head at your feet,
cling fast to your weightless shadow.

Yes, so love begins,
and though the road’s end is out of sight, I do not think of the end
for it’s the loving I so love.

Larry WoodmannFrancesca for self-control (2014)

An image maker with the last name Woodmann (even with the extra N), working with a model named Francesca, it really would be foolish to think that the resulting work is going to somehow riff on that.

What I find most interesting is the way this image mirrors my all-time favorite image by Francesca Woodman.

I don’t think the above is nearly as strong of an image but I do really appreciate the attention to detail. It absolutely lacks the subtlety of Ms. Woodman’s photograph but it operates similarly by establishing distracting the viewers attention away from the graphic sexual implication of the images–the hornet on Ms. Woodman’s throat dominates the viewers attention because of the threat of this woman being stung, diverting attention away from the masturbatory gesture she’s making with her left hand and right index finger.

The focus of the above image is the highlighted edge of her face and the thin disruption of the necklace chain encircling her neck. It’s nice, I think.

Sebastián GherrëFirework cum (2016)

Revisiting the first instance of Gherrë’s work I posted, I realize I equivocated a bit too much.

Further encounters with his work have caused me to warm to his so-blunt you can only call it heavy-handed and acontextual style.

I’m not usually a fan of the throw everything at the wall and see what sticks approach. (My nemesis when I was a photography MFA student had exactly such an approach–in the interest of full disclosure, she’s one of two people in a class of 17 that is paying her bills with her creative endeavors.) But with Gherrë there’s a sense of both openness to experimentation that is damn near playful more often than not wed to a commitment to an unflinching and omnivorous eye.

It’s a little too pat to compare his work to someone like Ren Hang–an artist whose is equally out and who works with similar prolific profusion. (In fact, lately I find myself rather put off by what I feel are Hang’s tendency to be casually shallow, mean-spirited and cruel in his work.)

But it is an interesting comparison, in so far as Gherrë‘s photos show ever sign of becoming less focused on provocation and more focused the inherent provocation in moments presented without context and therefore rely upon success or failure with what the convey about immediacy.

The above print is actually enormously clever in it’s composition. The viewers eye follows the boys white inner right thigh down into the frame at a diagonal. A lesser talent would’ve sought a bilateral top-to-bottom symmetry, but they inner left leg juts off at a different angle, pulling the dick in hand off a rigid top-to-bottom mid-line. (The frame is bottom heavy, but the angle of the blanket manages to tie everything together so that it doesn’t feel unbalanced.)

There’s also the way the slight curve of the boys erection and the way it forms a sort of ever so subtle s curve from the base of the cock through the spurting line of ejaculate–allowing for one of those serendipitous moments where things line up almost magically and the lead semen globule floats perfectly aligned with the boy’s suprasternal notch.

And honestly, this is the closest I’ve seen to a photo I’ve been trying to make for almost a decade now.