Joe Swanberg & Adam Wingard – clips from Autoerotic (2011)
Yesterday, I posted this with a plea for someone to help me identify the source. (Credit to Den for the id.)
Alas, knowing the origin somewhat tarnishes my previous sterling opinion of the clip. (In fairness, I am torrenting the movie as I write this.)
So without having seen the entire film, let me focus on what I like about this clip–which essential boils down to production value.
I’d wager the exterior cafe, narrow hallway and bathroom are in three disparate geographic locations; however, note the way the character is blocked in the left third of the frame in the al fresco scene, then moves from left of center to right of center in the narrow hallway. Along with the ambient cafe noises, this contributes the illusion of continuity of physical space that appears seamless.
You can quibble that although holding on the exterior and holding on the narrow hallway contributes a sense of editing rhythm, the hold in the hallway seems to long. Also, although I understand why the character enters the restroom from the right third of the frame–given this is the same position from which she exited the previous frame and matches the angle at which she entered the bathroom, I’d have probably cheated it and had her entering from the left just to continue the movement from left to right in the previous frame.
I have no idea why focus wasn’t pulled to keep her in focus as she approaches the camera on her bike–but then I would have insisted on shooting it as a horizontal tracking master shot.
Despite these admittedly nitpicking flaws and the awkwardly porn-esque alleyway masturbation, I am rather fond of this clip for it’s attention to detail–you know what she’s going into the bathroom to do and instead of going for an explicit close up, the details of her arousal are conveyed through her flushed, sweat glazed face.
I’m pretty sure my opinion will diminish after seeing the full film but on the strength of these scenes, I am intrigued enough to take the plunge and that’s not nothing.