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I’d originally wanted to share this as a #follow-the-thread post–but I don’t think I can convey what I wanted without also including stills and since these depend so much on the movement they depict, interspersing stills seems at best distracting and at worst working at counter purposes than what I want to point out.

There was a spate of dark and/or Satanic/Halloween oriented posts by a bunch of folks over the last few days. These sort of are among some of the more fascinating ones. But I’m also seeing them in an even broader context–for example:

William Mortensen’s Untitled {staked witch scene} (1927), these three posts from @ritualsex (I, II, III) and this bizarre, vintage-looking BDSM photo.

From the standpoint of conceptual considerations, I’ve been doing a lot of work with the notions of extremity. Just as an overly simplified example to illustrate the principle: it’s difficult to appreciate light separate from it’s interdependence upon shadow–no light without shadow, no shadow without light.

I’ve been applying this to notions of sin/transgression as they are inter-penetrative with salvation/transcendence–salvation is unnecessary means nothing in the absence of sin, so you must sin in order to be absolved of that sin by salvation. Western history is built around one sided perspective which views sin as the reason for needing salvation but why not celebrate sin as a prerequisite for salvation.

Given this premise: I’ve been experimenting with elements of Satanism/the occult, witchcraft and ritual in my work. My most recent project drew an explicit relationship between orgasm and the exorcising of demonic forces. Thus, I’d have intended these .gifs groupd together as a pleasure, punishment, appropriating punishment for pleasure (be it through the subversion of accepted social forms of deciding who is punished and how much or the act of erotically charging punishment as a path to carnal pleasure.

I really can’t see any of these images as either singularly pleasurable or totally about punishment–there’s this interesting way that the erogenous and the torturous fuse into an ouroborean cycling. (Conceptually, the motion in each of these serves to underscore this point.)

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