Allison White – Scrubbed Clean (2014)
Comparing how and why both images work and in what ways that functionality is tied into the decision over whether they are in B&W or color are a worthwhile exercise.
Wait! You admonish, wait… what does a high contrast image of a neck speckled with loam have fuck all to do with an low contrast image of a hand covered in twenty ladybugs?
Well, it’s partly the angle of view. White and Kraijer both favor a similar perspective. The former is more dimensional, the presentation of the latter, flatter but they both share a disembodied separation from any sort of definitive contextual connection.
I have zero way of knowing whether White knows Kraijer. But I appreciate the overlap in stylistic considerations and the work that those considerations is rendering far more than a certain other image maker who is currently shamelessly and one dimensionally aping Kraijer’s approach. (Looking at you, Evelyn Bencicova. Further, note how Bencicova’s borrowing of content without any obvious understanding of the unity between form and function in the work she’s referencing results in yes, pretty but ultimately muddled images.)