Kellyanne BoisvertUnbend (2015)

Any good conceptual art is not unlike a kōan–various meanings and interpretations at once harmonize, contradict and morph. The longer you follow a thread, the more the blade of the idea sharpens.

My initial vector of approach to this piece is via the context of this wonderful Robot Hugs on how queerness is either ignored by hetereonormative culture or appropriated through fetishization.

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