The Eye of Lamar – Beneath It All (2015)
As far as focal length goes, this is hell of wide–I mean the door way is bulging due to barrel distortion meaning were probably (given a 35mm equivalency) at around 16mm.
Normally, I’m a detractor from ultra-wide angle but here I’m rethinking my objection–at least in the case of this image. I mean the warping grows more noticeable toward the outside edges but since the illumination falls off, the vaguely parenthetical bulging of the door frame diminishes the effect of a frame within a frame.
I’m not sure that the two objects (it looks like a counter and a wall decoration of some sort) were meant to show up. That they do is kind of providential as it serves to balance the frame left-to-right in a way that probably wouldn’t have been as compelling with them.