Lionel PrinceUntitled (2017)

Back in February, when I juxtaposed an image of Bernini’s The Ecstasy of St. Teresa and Brassaï’s Le phénomène de l’extase, I had rather something else in mind when I started.

See the juxtaposition I suggested was not exactly insightful: someone else had connected Dali’s The Phenomenon of Ecstasy (which includes the woman’s face from Le phénomène de l’extase) with the face of St. Teresa in Bernini’s sculpture.

Initially, I wanted to present Bernini, Brassaï in tandem with something more modern and art porn-esque and to categorize it as a ‘follow the thread’ exercise.

At the time, I was unable to find a satisfactory third image. This would’ve been utterly perfect.

Compare this detail of Teresa’s face with the above:


Also, from the stand point of visual dynamics, I’m starting to believe that the bottom edge of the frame has an implicit correlation with the notion of the so-called fourth wall. Consider the above and how it’s #skinnyframebullshit orientation places the viewer in the POV surrogacy with the person belonging to the lower of the two penii. Note how landscape orienting the frame adds the impression of a voyeuristic fourth party:


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