Lina Scheynius’ photographs are above all sincere in their straight-forward simplicity and lack of self-conscious pretense—capturing not only the truth of a moment but something of the initial wonderment which sparked her mind and brought the viewfinder to her eye.

Like many young, internet-famous image makers she works at the interstices of documentary, editorial and erotic photography but her handles the material with a rare prescience.

Take this self-portrait where she appears starkly naked but protectively curled up on a leather couch. She is both seen and unseen.

I cannot help but apply that to her sense of herself as a photographer. She presents the world she sees from behind and through her camera. This is especially interesting given familiarity with her larger body of work as she takes great pains to push her personal boundaries more than her models.

In the minefield resulting from conceptual concerns over the visual representation of sexual identity and body politics, although what Scheynius’ is about is perhaps more instinctive than the collaboration between Traci Matlock and Ashley MacLean, it is no less vital or interesting.

And frankly, there are a lot of photographers who could learn something from this. I am sick unto death with voyeurs hiding behind cameras snapping away as they have models enact their most deeply repressed fantasies. (I am thinking here of an individual who I would rather not name but will give apply the psuedonym Reynard Yale.)

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