Whether she is shooting street-travel hybrid images, landscapes or portraits, Ирина Задорожная demonstrates a precocious formal consistency.
Her images feel symmetrical. Yet, upon closer inspection they instead employ an objects implicit extension beyond the frame edge to balance out an equal amount of negative space on the opposite side.
For example: the lower frame edge cuts awkwardly below the model’s wrist + mons pubis. Notice though how this is balanced by the negative space above the model’s head at the limit of the upper frame edge.
It’s a sophisticated, compelling tactic.
I really like this image. The expression in tandem with the pose is both aloof and fragile; the visible texture of the sweater expertly counters the otherwise problematic flatness. The light is probably too harsh but I can forgive that.
#skinnyframebullshit still needs to be called, however. It baffles me how the same artist responsible for this image showcasing how portrait orientation ought to be used, resorted to the typically knee-jerk, portrait-orientation-for-portraits in an otherwise nearly impeccable image.