This image appeared as part of an exclusive series for Treats! Magazine.
I could give less of a fuck about the rest of the images. This one appeals to me though.
Partly, it’s the stone tiles and the blue grey of the concrete setting off the grass’ cobalt green; Partly, it’s my preoccupation with questions of pubic vs private, so any work featuring nude figures ostensibly in public is relevant to my interests.
The question I have is: why the up-tilt? Yes, it more or less splits the frame in half, divided along lines of positive and negative space–which shouldn’t need to be stated but is a terrible composition strategy. Plus, the light reflected on the glass stairway railing is super distracting.
And actually, the more I look at this the more it irks me. I can’t dispute that Chang’s work is visually polished. It looks like quality. The issue I have is that he so frequently all but quotes from other artists. (If you like shit like Where’s Waldo, hop on over to his website and look for where he seemingly cut/pastes elements from Andy Goldsworthy and Tim Walker into his work.
The above references or borrows heavily–I can’t decide which–from Akif Hakan Celebi, Yung Cheng Lin and Miru Kim. I can’t speak for Kim–mainly because I’m in a longstanding feud with her (that she is likely to remain unaware of since I don’t usually broadcast the fact) but I take umbrage to her work. But as far as Celebi and Lin go, both wouldn’t have added an up-titled perspective to this scene even if both would’ve been drawn like moths to flame by the elements of this location.