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[↑] neverlaandssstart somewhere (2015); [+] Source unknown – Title unknown (201X); [-] Source unknown – Title unknown (201X); [←] Boris DemurPoem Flag of Spiral Deterministic Chaos in Spiral Yin Yang from Spiral Poems of a Flag series (20XX); [→] Carlos Cruz DiezTitle unknown (20XX); [_] theworldwithinthewords – for more than this is mind #12 (2017); [↖] Michael StorytellerStuck in the middle again (2015); [↗] Le Cam Romainaida & jordan, paris (2015); [↙] Source unknown – Title unknown (201X) [↘] X-Art – In the Blind feat. Little Caprice (2014) … [↑] Source unknown – Title unknown feat. yhivi (201X); [+] Source unknown – Title unknown (201X); [↓] Jonas Mekas –  As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000)

The way I use Tumblr is that I follow the blogs I follow and once every day I scan my dash until I get to the point where I start repeating stuff from the previous day. I like what I like as I go.

On weekends, I treat my Likes page as if it were a smaller version of my daily dash and I pull from that into Drafts.

What governs the decision to save something to drafts is almost always more of a feeling of “I need to showcase this post” more than any notion of having something structured to say about it, as it were laying there ready made in my brain.

Frequently, things make it into Drafts and I just can’t figure out what to say about them or where exactly they fit.

The above started as an effort to clear out my drafts–which is beginning to become downright cumbersome to manage. It was strictly a counting exercise. One person. Two people. Three people. Then it morphed and became not exactly storyboards but sort of a loose thumbnail index of some sort of artsy porn video.

(A digression on process. I am not in a good place right now–mental health-wise. It’s actually really bad. I feel like I have nothing really to say about anything. It’s partly that my head is a mess. And partly that it’s becoming more and more clear that my ability to express myself sexually with another human is no longer something I have recourse to in this life. Whatever. Sucks to be me, I know–but what this exercise has demonstrated to me is that there is some merit to the creative advice that you just have to force yourself to sit down and do the work. I do think there’s some truth to the idea that sitting down and staring at a blank page for eight hours day in and day out is actually very detrimental. But I think it takes a while before you get to that point–like maybe three days. The problem is we frequently won’t sit down because we expect the outcome will be negative. You gotta make time to do the work.)

Anyway, I won’t argue that what I’ve stitched together here is good or even interesting but it did suggest several thoughts.

I wonder what the ratio is of production of pornographic vs Hollywood features  in any given year? Probably at least 10-1 (porn to features), right? That’s a lot of content. I wonder why more artists don’t use it.

I mean I know some do. There’s those memes where you take porn scenes and photoshop over them so it looks like a starlet is eating an ice cream cone instead of fellating some stud. (Or, if you prefer things more arty….check out Brian Steinhoff’s Porn for the Whole Family series.)

It’s no secret that a veritable litany of art legends hired sex workers as models. So there’s even a precedent for this sort of thinking. But what I’m interested in–and another essay I’m unlikely to ever actually get around to writing: pornography as taxonomy.

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