One of the highlights from our first ever threesome last week 😍 We’re lucky to have such beautiful and open minded friends to help make our fantasies come true. We’ve been fantasizing about this for so long and had such a lovely time and learned we really enjoy having sex in front of people. Follow us for more, there’s over 500 photos from the night. Full color ones too 😉

@aprivateexpose’s stated intent is to: “dance around that fine line between art and pornography”.

I feel like the above set does some things well and other things less well.

Let’s start with the bad and move toward the good.

I think the 3rd image from the top is extremely problematic. It’s very stereotypical male gaze porn movie POV shot. It decapitates both parties which in turn reduces the scene to an almost mechanical heteronormative essentialism of sexual intercourse and frames the scene to emphasize both a male POV as well as the bondage aspect. (Alternately, I really do love the way his hands serve as a frame within a frame and the way the do so reads as strangely reverential.)

However, in the 3rd picture is presented as part of a series of 4 images. And that connection does at least establish context, i.e. a group sex scenario. (And I love how the person standing to the side is presented as ostensibly focused on taking a hit on the bowl she’s holding and then the way the second frame hides the dude’s face with his hair so that the punctum of the frame becomes the Cheshire grins of the two ladies.

The final frame is less male gaze-y (remember the viewer always subconsciously associates the bottom of the frame with the fourth wall, so this to me is less creepy than the 3rd image.

I don’t think any of the images work independently of each other. Presenting them in this way makes them work as a whole–however, since what works with each frame doesn’t ever really fully integrate with the tableau, I am left with the sense that although this is a good bit more contemplative w/r/t the firewalling of pornography as a subject for art than most work on Tumblr, it separates the totality of impact across four frames and in so doing dilutes the artistic impetus in favor of the more erogenously charged documentary fixation. (In other words, the good things I mentioned about the work could conceivably all be staged so that they all might comfortably coexist within a single, static frame.

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